My 30 Greatest Movie Moments…

Movies can manipulate us in ways that we never thought possible. Perhaps The Shining disturbed you so much that every time you see a hallway, a naked woman in a bath or identical twins, you immediately put your hands over your mouth and sob.

Yet, it could be argued, that what we remember most from a movie, isn’t necessarily how we felt whilst watching it, but what actually happened – or to be more precise: what scene had the most impact on us.

Below, I have listed my 30 of the most memorable moments in cinema, they have been listed there because they are personal to me and because they are instantly recognisable.

1)      The Deer Hunter – The Russian Roulette Scenes

Russian Roulette in The Deer Hunter

Russian Roulette in The Deer Hunter

The Deer Hunter is a disturbingly powerful movie, where its effect on the audience effectively clings on to the few scenes where the characters play Russian Roulette either because they’re being forced to, or…for fun. There’s an old movie cliche about ‘being at the edge of your seat’, and its never been so true with this film, the feeling of not knowing what will happen when the trigger is pulled is like no other.

2)      When Harry Met Sally – Fake Orgasm in a restaurant

Sally pulls a funny orgasm face...

Sally pulls a funny orgasm face...

When Harry Met Sally is perhaps the best romantic-comedy ever made. It is my belief that the best scene in the movie is when Harry and Sally discuss why women fake orgasm during sex. Harry claims that he’s never had a girl ‘fake it’, because he thinks that he’ll know…Sally leaves him speechless by ‘faking it’ in the middle of a busy restaurant, making the loudest moans and groans possible. Classic.

3)      The Shining – “Heereee’s Johny!

"Hereeee's Johneeeee!"

"Hereeee's Johneeeee!"

The most iconic scene in a horror film ever, indeed perhaps the most quotable line from a Kubrick film next to Nicole Kidman’s final word in Eyes Wide Shut.

4)      The Texas Chainsaw Massacre – Dinner time!

Screenshot from one of my favourite horror films

Screenshot from one of my favourite horror films

That awkward moment when you wake up from being unconscious strapped to a chair in front of a family of cannibals…

5)      The Human Centipede – The credit sequence

The best part about Tom Six’s ‘masterpiece’ is when it ends. Notice the way in which the credits roll up in such a petulant manner…there’s clearly symbolism there…

6)      The Shawshank Redemption – The ending

I’m not ruining it.

7)      The Rocky Horror Picture Show – The Floor Show

The 'Floor Show' in The Rocky Horror Picture Show...

The 'Floor Show' in The Rocky Horror Picture Show...

The Rocky Horror Picture Show is perhaps the most entertaining, bizarre, illogical, random, camp, brilliant film ever made. Yet the ‘Floor Show’ towards the end provides the film with an oddly quite moving and tragic ending…

8)      Indiana Jones and the Raiders of the Lost Arc – The opening of the arc

A very good reason why you should never open mysterious, ancient ark's supposedly claiming to hold the 'wrath of God' in them...

A very good reason why you should never open mysterious, ancient ark's supposedly claiming to hold the 'wrath of God' in them...

Ever since I was a child, these movies have scared me. Most notably Indiana Jones and the Temple of Doom when the heart’s being taken out…

However, there’s nothing quite as memorable as the section where the arc is opened and the ‘wrath of God’ murders all of the Nazis and shreds there skin off until they’re just skeletons.

9) A Clockwork Orange – The opening scene

The bizarre opening shot in A Clockwork Orange

The bizarre opening shot in A Clockwork Orange

In my opinion it’s the most mesmirising opening to a movie…ever. We start off with a close-up of the raping-murdering sociapath: 15 year-old Alex DeLarge. We then pan back and back and back to reveal his surroundings. Simple. Bizarre. Surreal. Memorable. A great opening scene.

10) Boogie Nights – Closing scene

I've just stopped you from pervertedly grinning at Mark Wahlberg's prosthetic schlong...more tempted to watch the 90s classic?

I've just stopped you from pervertedly grinning at Mark Wahlberg's prosthetic schlong...more tempted to watch the 90s classic?

Boogie Nights is a 3-hour movie. Throughout the movie we are told that everyone has a talent, a skill, or in the case of Dirk Diggler: an asset. He’s a porn-star which would make a horse jealous. (The joy of cheesy sexual innuendos).

Either way, we find out that his schlong is 13 inches long…and at the end of the movie…we see it…in all it’s…glory(??)…

11)  Mulholland Drive – The sign…

There's something about this sign...

There's something about this sign...

There’s something oddly quite mystical about the sign of Mulholland Drive in David Lynch’s Mulholland Drive. Perhaps it is its grey nightmarish colour, or the shiny letters on it, or the music that accompanies the shot of it. Maybe it’s all of these.

This shot in the movie, to me is the movie’s most memorable shot, there’s something so spine-tingling about it. And I don’t know why. It’s a mystery that can’t be solved…almost like the film itself.

12)  2001: A Space Odyssey – The ‘stargate sequence’

This is what happens to your eyes when you go "Beyond the Infinite"...

This is what happens to your eyes when you go "Beyond the Infinite"...

A screenshot from the infamous 'stargate sequence'...

A screenshot from the infamous 'stargate sequence'...

The poster for Kubrick’s 2001 says “the ultimate trip”, and I can’t quite help but associate this and the ‘stargate sequence’ in the film, indeed, Kubrick takes us on the “ultimate trip” in this section. Colours, shapes, space, light, time, infinity, eternity swirl around in patterns and zoom past our eyes. It’s a ‘spectacle’ to say the least.

13)  Monty Python and the Holy Grail – The Knights who say “Ni!”

"We are the knights who say 'ni'!"

"We are the knights who say 'ni'!"

The most random joke in a  very random and very funny film.

14)  The Godfather – That awkward moment when you find a horse’s head in your bed

Awkward...

Awkward...

Perhaps the most iconic moment in cinema is when the Hollywood-hotshot finds the horse’s head in his bed as he wakes up.

15)  Fight Club – Let’s steal some soap

The irony of a film about consumerism selling merchandise...

The irony of a film about consumerism selling merchandise...

Perhaps one of the best bits from Fight Club is when Tyler and Jack go to steal some soap. Or to be more precise, fat to make soap…fat taken from people who’ve had liposuction that is.

Ahhh…I love the sharp humour in this film.

16)  Un Chien Andalou – Casually slicing an eye

Eye-slicing in surrealist classic 'Un Chien Andalou'...

Eye-slicing in surrealist classic 'Un Chien Andalou'...

Surrealist masterpiece which has unfortunately been brought down by one image: the slicing of an eyeball. Indeed, this image occurs in the first 5 minutes of the film, yet it’s downfall for it being associated with this just one image is perhaps also its success as well. After all, no masterpiece was never controversial.

17)  12 Angry Men – The whole film

Well I’ve listed lots of scenes…and I know I know this is cheating, but 12 Angry Men takes place in one whole scene, so I’m letting it in. It’s also a very good scene: well-directed, well-acted and a dazzlingly complex study of human nature and what happens when you put 12 blokes around the table and make them debate over whether a man should live or die.

18)  The Silence of the Lambs – The first encounter

The film builds up to this great encounter, even when Clarice is outside that infamous corridor she’s told that she can’t bring in any pens or metal objects. Indeed hopes do not fall, Anthony Hopkins gives a chilling performance which made him win an Oscar.

19)  Reservoir Dogs – Ear slicing

Ear-slicing in Quentin Tarantino's directorial debut 'Reservoir Dogs'

Ear-slicing in Quentin Tarantino's directorial debut 'Reservoir Dogs'

Quentin Tarantino is not just talented by managing to put the word ‘motherfucker’ at any point in one of his scripts, but by being able to direct violence exceptionally well. We see violence so often on the screen, and due to this, it hardly ever affects us. A most recent example would be The Hunger Games, where the violence/deaths have little or no effect. However, we see the opposite in Reservoir Dogs, it makes us react and wince in our chairs.

20)  Pulp Fiction – Overdosing

I would happily say this is the best sequence in Pulp Fiction. After Mia overdoses, Tarantino makes Travolta drive her straight to the dealer. Comedy is induced with the disturb in a dazzlingly original way. And we wince when the needle is plunged straight into the heart (have you seen how big the needle is?!). Either way, it could be argued that this is the best section in Pulp Fiction.

21)  Halloween – Opening shot

Classic 70s slasher film 'Halloween'

Classic 70s slasher film 'Halloween'

The opening shot of the classic slasher movie, Halloween, is arguably the best opening shot of a horror movie. Ever. We see young Michael Myers go into the house, grab a butchers knife, go up the stairs, put a mask on, and stab his sister…all from his own eyes. Impactful and disturbing, if it’s none of those two, it’s definitely memorable.

22)  Blue Velvet – Scissors…

Dennis Hopper's disturbing performance as the violent and sexually-perverted Frank Booth...

Dennis Hopper's disturbing performance as the violent and sexually-perverted Frank Booth...

Frank Booth is the hideous sexual pervert in David Lynch’s controversial 1986 classic Blue Velvet. Not only does he kidnap Dorothy’s husband, but he does more. He verbally abuses Dorothy, hits her, insults her, and sexually abuses her with a trusty pair of scissors. You may not like this film, but this scene is certainly unforgettable to say the least.

23)  Before Sunrise – CD Booth scene

Linklater’s Before Sunrise is all about its subtleties, and there’s nothing else as subtle as when we see our two ‘lovers’ enter the CD booth and look at each other and then look away…repeatedly…

24)  Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Riding the bomb

Major Kong casually riding a nuclear bomb in Dr Strangelove...

Major Kong casually riding a nuclear bomb in Dr Strangelove...

The mother of all political satires ends in the best way imaginable (and we know it’s coming)…Major Kong riding a bomb down towards earth…ahhhh…the joys of originality.

25)  Trainspotting – There’s a baby on the wall

Now that's one terrifying baby...

Now that's one terrifying baby...

Never have baby’s been so terrifying…

Renton, heroine-addict is locked in his room and force to ‘quit junk’, he has various hallucinations…and my God, you won’t want to baby-sit after watching this movie.

26)  The Man With the Golden Gun – Face off

Best moment in a Bond film…ever.

27)  Citizen Kane – The ending…

Just found this on the net. Glad somebody else agrees with me to! Either way, the ending's bloody iconic

Just found this on the net. Glad somebody else agrees with me to! Either way, the ending's bloody iconic

Critics claim it to be the best film ever made year in year out, I on the other hand think it’s mediocre and so overrated it’s vomit-inducing.

Click on the link to find out what rosebud is…if you want to that is…

http://www.clipart.dk.co.uk/DKImages/christmas/image_christmas004.jpg

28)  Psycho – Shower scene

^^ A thorough explanation on why you should never use showers in a horror film

^^ A thorough explanation on why you should never use showers in a horror film

The most damous scene in a horror/thriller ever, and perhaps the scene Hitchcock is most well-known for. I don’t think I need to describe what happens, the image above is so iconic that it literally speaks for itself.

29)  One Flew Over the Cuckoo’s Nest – Partayyyy

Wheelchairs…part-poppers…alcohol…laughter…and general fun! The party scene in One Flew Over the Cuckoo’s Nest isn’t just funny but a satirical bite at totalitarianism and why all humans deserve to be free, to have fun and not be opressed by the ruling masses.

30)  The Green Mile – Cooking time…

There are lots of ‘cooking scenes’ in this film, and surprise, surprise they all happen on an electric chair. Lovely!

Panic Room (2002)

4 STARS

General Information:

Information below is taken from the following link: http://www.imdb.com/title/tt0258000/

15  112 min  –  Thriller  –  3 May 2002 (UK)

Director

David Fincher

Writer

David Koepp

Stars

Jodie Foster; Kristen Stewart; Forest Whitaker

Plot:

Meg (Jodie Foster) and daughter Sarah Altman (Kristen Stewart) buy a new house, which has a mysterious panic room – the ‘Panic Room’ has only one function, and that’s to keep people out. Suddenly, late at night, intruders enter the house, and Meg and Sarah’s only place to hide is in the Panic Room itself…

Review

Jodie Foster and Kristen Stewart in David Fincher's brilliant chlaustrophobic thriller...

Jodie Foster and Kristen Stewart in David Fincher's brilliant chlaustrophobic thriller...

Panic Room is like a game of cat and mouse where the cat and the mouse are static constantly, and have to think about what moves they must make next to outdo each other. To be blunt, this film is about three criminals attempting to get into a small confined room where our protagonists are hiding in fear. Of course, this must be incredibly difficult to direct: creating an atmosphere of tense  claustrophobia without seeming static or dull, whilst all the time building up plot, momentum and driving the narrative further at a fire-inducingly fast pace. David Fincher pulls it off.

What struck me first about this film wasn’t the ingenuity of its plot concept, but it’s visual style. It’s very similar to Fight Club’s: the camera panning in to the architecture of the walls, and then suddenly zooming in and in and in to absolute minute detail, whilst all the time moving, so we get a sense of what the world our characters are in – this is used in Panic Room, there are lots of long (CGI?) tracking shots which go straight through numerous walls of the house, and then suddenly turn upside down to show us the ceiling, until we bend back and then  suddenly zoom into an electrical cable, and then follow where the electrical cable goes to, until…oh, you get the idea. Essentially, Fincher puts a microscope on the house to tell us exactly the layout of the house.

Aside from Fincher’s sharp meticulously perfected style is a film oozing with good character development – there’s a neat section where the intruders attempt to try and “scare” Meg and Sarah out of the panic room by pumping the room with toxic gas. We immediately see the relationship between each of the individual intruders themselves; this scene, and indeed, all of the scenes that involve the intruders arguing unfolds like a detailed psychological case-study. To further add to this case-study is the cut-and-forth feel to the narrative, we jump back and forth from inside and outside the panic room, seeing how Meg and Sarah are feeling and then seeing how the intruders are seeing. As a viewer we get a very objective stance to the piece, we watch the events slip past, and due to this, the movie feels very intriguing, yet never comes across as trying to be too clever.

Similar events occur inside the panic room itself. These scenes are the embodiment of psychological realism, the methods that Sarah and Meg use to attempt to escape or scare the intruders away (“tell them to fuck off”) are utterly plausible, and this is partially due to the merge of drama and comedy in Koepp’s script.

Over all, Fincher’s film feels dazzling, bold and intriguing, but not as good as Fight Club. But then again, not much else is.

Verdict

A film dazzling with wit, pace and style. It’s intriguing, tense and nice little thriller from a very talented director.

The Top 50 List…

My list of favourite films is forever changing…here it is as it stands now…

1.    A Clockwork Orange                                                                 

2.    2001: A Space Odyssey                                                             

3.    Monty Python and the Holy Grail                                           

4.    The Texas Chainsaw Massacre

5.    Scott Pilgrim vs the World                                                          

6.    The Shawshank Redemption                                                   

7.    Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

8.    Indiana Jones and the Raiders of the Lost Arc

9.    The Social Network

10. The Color Purple

11. The Rocky Horror Picture Show

12. Before Sunrise

13. Fight Club

14. The Shining

15. Eyes Wide Shut

16. Full Metal Jacket

17. Reservoir Dogs

18. Boogie Nights

19. One Flew Over the Cuckoo’s Nest

20. The Green Mile

21. Back to the Future

22. The Karate Kid

23. Pulp Fiction

24. The Truman Show

25. Bedknobs and Broomsticks

26. 1984

27. 12 Angry Men

28. The Deer Hunter

29. Toy Story 2

30. Trainspotting

31. Live and Let Die

32. Halloween

33. The Man with the Golden Gun

34. Toy Story

35. Taxi Driver

36. Inception

37. Brokeback Mountain

38. The Silence of the Lambs

39. Die Hard

40. Die Hard 3

41. Mulholland Drive

42. Johnny English Reborn

43. Freedom Writers

44. Memento

45. Airplane!

46. Commando

47. The Matrix

48. Donnie Darko

49. Harry Potter and the Prisoner of Azkaban

50.  The Girl with the Dragon Tattoo (David Fincher version

The Social Network (2010)

5 STARS

General Information:

The information from below is taken from the following link: http://www.imdb.com/title/tt1285016/

12  120 min  –  Biography | Drama   –  15 October 2010 (UK)

Director

David Fincher

Writer

Aaron Sorkin

Stars

Jesse Eisenberg; Andrew Garfield; Justin Timberlake

Plot:

Bio-pic about how two friends created Facebook, a tool used to bring friends together, and how the making of that tool, split them apart, yet also made Mark Zuckerberg the youngest billionaire on the planet.

The Social Network

The Social Network

Review:

It’s often been noted that David Fincher is the maker of dark films with an almost Kubrickian-perfected craft and dazzling visual style to them. The Social Network is no exception to this. It may be ‘light’ in subject matter for a David Fincher film, but that doesn’t take away its technical brilliance and its punchy directorial edge.

It all starts off when likeable computer-geek, Mark Zuckerberg (Jesse Eisenberg), is ditched by his girlfriend Erica Albright (Rooney Mara) with the famous last words “asshole”. Mark goes home. Drinks beer. Blogs. Then creates the arguably misogynistic Face Mash.

Face Mash allows testosterone-induced guys to pick ‘n choose between which girl is the hottest. It’s all laddish-inane fun; after all, girls and guys often play the “who’d you rather @~%**%^” game; yet Mark took this game a step further, he put it online.

Several thousand clicks later, Face Mash causes the Harvard uni servers to crash, and due to this, two people find Mark, pitch this really good idea to him. You know what happens next. Mark then takes their idea, yet uses a different code (which is his main defence when being sued: similar idea, but constructed differently). Mark then calls this code TheFacebook, and then a few years later he’s the youngest billionaire in the world. Baring in mind, the beauty of this is, if he was never dumped, this never would have happened. Yet Mark isn’t motivated by success, money or by greed. Whilst the people he ‘stole’ the idea from, are.  Mark can be considered a ‘child prodigy’ and a genius,and due to this, it could be argued that the guys he ‘stole’ the idea from may not have been as successful as he was.

I think the beauty of this film is that it has a very large demographic but doesn’t seem to flop. It’s about computer programming, but allows your average Joe to understand what’s going on in the film, the script doesn’t just consist of technical-babble, if it was, it wouldn’t have made 5 stars that’s for sure. The average person can understand this film because of it’s script: it’s sharp, acidic, feels real, and well-structured (the film jumps back and forth between the rise of Mark Zuckerberg to him being sued by the people he stole the money-making idea from and his co-founder and CFO of Facebook, Eduardo Sarvin (Andrew Garfield)).

The film is an achievement not because it’s well directed, well scripted or well-acted, but because it makes the seemingly ‘un-filmable’ filmable

Verdict:

Zuckerberg took the real world one step further by putting it online. Fincher takes the online world and translates it into a cinematic ‘real world’ via the medium of film. Well scripted, acted, and directed, The Social Network is made with the technical precision like a master of cinema, such as Stanley Kubrick himself. It’s not just a landmark of 2010, but perhaps a landmark of cinema itself.

Fight Club (1999)

4.5 STARS

General Information:

The information from below is taken from the following link: http://www.imdb.com/title/tt0137523/

18  139 min  –  Drama | Mystery | Thriller   –  12 November 1999 (UK)

Director

David Fincher

Writer

Jim Uhls

Stars

Brad Pitt, Edward Norton and Helena Bonham Carter

Plot:

Jack’s (Norton) life is dull and depressing: he is an insomniac, goes to cancer self-help groups (he doesn’t have cancer) and works in insurance. Suddenly he befriends Tyler Durden, and his life takes a dramatic twist. They form an underground fight club, yet their ‘Fight Club’ develops and becomes more and more to Jack’s disliking until eventually his life – and indeed: the world – spirals out of control…

Review:

Fight Club can be described by all of the film-critic-bullshit-clichés ever written: it is brutal, funny, disturbing, sexy, entertaining, mind-bending, breath-taking, thought-provoking – and bloody hell it’s violent. Well what is this film about? What is it not about? It’s about machismo, violence, sex, consumerism and fascism; yet it is also about: instinct, work, primal desires, money, and of course: soap (soap to make BOMBS!….obviously). All of these ideas and concepts are all mixed up and thrown into this mind-bendingly visual and darkly comic film. Yet, oddly, it works.

Jack narrates the film, it is told from his perspective. The first section of the film is philosophical and is a commentary mainly about consumerism and how Jack is bored with life. Jack is a sucker to consumerism, rather than watching TV and eating chips at night, he sits in his toilet and reads the IKEA catalogue pondering which furniture defines him as a person. He also goes to testicular cancer classes, even though he doesn’t have cancer, and because it makes him feel superior. (Hey, I said the humour was dark).

Suddenly, his life takes a turn, as he meets a soap-salesman named ‘Tyler Durden’ (Pitt). Jake envies Tyler because he is his opposite – he has a good body compared to him, is better looking, more confident, (and by the amount of noise made in the bedroom) is apparently good at sex.

Next thing you know, Jack’s condo blows up.

Bye-bye IKEA furniture. (Yes, that’s the satirical bit about consumerism.)

Luckily Jack phones Tyler and asks him to stay with him, they then form an underground fight club for many reasons: to vent aggression, to pass time because they are bored with life, to ‘get back’ at society. However, Fight Club builds and builds and builds until it becomes more serious: ‘Project Mayhem’.

This film is perhaps comparable to A Clockwork Orange: it is violent, yet it is also funny in areas in which it shouldn’t be. It challenges me as a viewer, and it distorts how I would normally react to violence. As a society violence is frowned on, yet in Fight Club it sets them free. The people doing the punching and the people receiving the punch both feel better than they’d ever felt in their entire life. Should we agree with what Tyler has done to these people? Has he really set them free or has he given them a false concept of being ‘free’? I’ll let you decide on these questions for yourself…

Verdict:

Funny, satirical and downright violent, Fight Club is not for the fainthearted, and must be viewed more than once in fear that it may be taken the wrong way. If it’s not a satire about fascism or consumerism, it is entertainment at the very least: original, bright, daring and bold; don’t you dare miss this cinematic gem.