Dark Shadows (2012)

3.5 STARS

General Information:

Information below is taken from the following link: http://www.imdb.com/title/tt1077368/

12   113 min  –  Comedy | Fantasy  –  11 May 2012 (UK)

Director

Tim Burton

Writers

Seth Grahame-Smith; John August

Stars

Johnny Depp; Michelle Pfeiffer; Eva Green

Plot:

After centuries of being buried underground, cursed vampire Barnabus Collins (Depp) returns to Collinswood Manor only to discover that it’s 1972, a dysfunctional family lives there, and that the witch who cursed him to be a vampire is still alive…

Review:

Tim Burton's Dark Shadows

Tim Burton’s Dark Shadows

In my opinion, Tim Burton’s Dark Shadows is the cinematic equivalent of what would happen if Usaine Bolt injured his knee whilst running the 100m, and stopped halfway through. It has a lot of potential, but feels like it should have more story to tell, more strides to make. This film isn’t as funny as the trailer makes it out to be (albeit that sex scene…). Either way, from what I could see from the strides this movie made, there’s a lot of meat (pies) for Burton’s fans to tuck into.

The best part of this film is indeed the opening hour, and it’s very entertaining to watch the story unfold, and perhaps even more fun just to keenly observe Johnny Depp’s excellent performance. The style of the opening 15 minutes is like a cliché fairytale which its effect never decreases, no matter how many times we’ve seen it in the movies, and this is mainly due to Burton’s gothic sensibility. Now, the set-up: Angelique (Eva Green) fancies Barabus, however, Barnabus pays no attention to her, as he’s got his eyes (and other parts, I’m guessing) set on Jossette (Bella Heathcote). Unfortunately for Barnabus, he picked the wrong girl to not fall in love with, because when Josette jumps off a cliff in a moment of hormonal dispair, Barnabus follows suit, but doesn’t die, because, Angelique has turned him into a vampire…and then she puts him in a coffin, wraps chains around the coffin so he can’t escape, and buries said coffin in the ground.

As you do.

A few years later, it’s 1972 – and as if by mere chance, there are people digging near the area where the coffin was buried, they find the coffin, break the chains – and wumfff!, hot puffs of smoke come from the coffin, and Branabus shoots up from the air, bites all of their necks to which he then says something like “sorry, you have no idea how thirsty I am.”

We then get the usual expected stuff of a man from another world/another time not fitting in with the place/time which he’s been put in. Yet what makes this movie special is the fact that Johnny Depp really brings Barnabus alive. Johnny Depp is a physical actor of extraordinary talent, he’s the sort of actor that only has to subtly move a limb or an eyebrow to instantly portray an emotion, and his performance is certainly not wasted here. There’s a section where we see him cross a road for the first time, he staggers across it slowly, arms hunched, little movement per step, and he instantly catches the sentiment of the character. To further add to this is the fact that even though the script may be of average in terms of quality, Depp is given the best lines. Every word that he is given is clearly thought about to portray this unique comic character. For example, that funny moment in the trailer where Barnabus walks behind the television and says in a grand and majestic manner “Reveal yourself tiny songstress!” Nobody else would use the phrase “reveal yourself” (let alone “songstress”) other than a 19th century upper-class vampire.

Johnny Depp's hair in Dark Shadows makes me chuckle...

Johnny Depp’s hair in Dark Shadows makes me chuckle…

There are other great moments in the opening hour. Perhaps the most well-known of these is the sex scene. Barnabus has sex with Angelique, yet in a completely different way. They have sex on the walls, the floors, the ceiling, everywhere, the laws of gravity are smashed in two, sofas are scratched, furniture is knocked over, and no doubt other things have split apart as well. It’s all very camp and funny, and has that 70s feel to it which this film requires.

However, all of this drifts off into the abyss. At the beginning of this review I compared this film to Usaine Bolt only being able to run half of the 100m, I shall refer back to this point again. The movie feels like it has

(a) More story to tell, yet ends too early.

(b) Has little story but tells it over the period of 1 hour 45 minutes.

In my opinion it’s mainly (b) with hints of (a). The film tells the story of Barnabus trying to fit in with a new world by rebuilding the Collins fish empire, to which his rival is (surprise, surprise) the witch. Yet the film never particularly goes anywhere surprising. Of course there’s that “will they won’t they” thing going on between Barnabus and Angelique (which is concluded when the sofa and ‘other things’ are split), but that’s not enough. Sure Depp gives a great performance, but what about the other characters? We have Johnny Lee Miller playing a sarcastic, miserable man, who barely has any lines. We have Helena Bonham-Carter (who is ginger!) but also doesn’t have much involvement, which is a great shame because Bonham-Carter is a damned good actress, and the dryly flirtatious character she portrays I’d like to know more of.

We need more of these two: Johnny Lee Miller and Helena Bonham-Carter in Tim Burton's new film 'Dark Shadows'...

We need more of these two: Johnny Lee Miller and Helena Bonham-Carter in Tim Burton’s new film ‘Dark Shadows’…

As the film drifts on into the second and third acts, it left me wanting more substance. Perhaps it’s to do with the fact that the story concerns itself over rival fish-companies. I imagine it is that, after all, fish are not the most interesting of creatures, and Tim Burton’s gothic style doesn’t suit aquatic animals. But it’s not that. We never really plunge into the heart of the character’s and see what motivates them, and this is alright (since most films don’t involve great character development), but this is a film where the center of the story is about the characters (and the characters are played by actors of great talent).

Dark Shadows is a good film, but it left me wanting more.

Verdict:

Dark Shadows is a good film with strong performances, yet it story doesn’t seem to be explored in-depth and it’s character’s (albeit Barnabus) seem very ‘skim-read’. Either way, the artistry of this film and the visuals will certainly provide for Tim Burton’s fans. If you’re not a big Burton fan, skip this and watch Sweeney Todd instead.

My 30 Greatest Movie Moments…

Movies can manipulate us in ways that we never thought possible. Perhaps The Shining disturbed you so much that every time you see a hallway, a naked woman in a bath or identical twins, you immediately put your hands over your mouth and sob.

Yet, it could be argued, that what we remember most from a movie, isn’t necessarily how we felt whilst watching it, but what actually happened – or to be more precise: what scene had the most impact on us.

Below, I have listed my 30 of the most memorable moments in cinema, they have been listed there because they are personal to me and because they are instantly recognisable.

1)      The Deer Hunter – The Russian Roulette Scenes

Russian Roulette in The Deer Hunter

Russian Roulette in The Deer Hunter

The Deer Hunter is a disturbingly powerful movie, where its effect on the audience effectively clings on to the few scenes where the characters play Russian Roulette either because they’re being forced to, or…for fun. There’s an old movie cliche about ‘being at the edge of your seat’, and its never been so true with this film, the feeling of not knowing what will happen when the trigger is pulled is like no other.

2)      When Harry Met Sally – Fake Orgasm in a restaurant

Sally pulls a funny orgasm face...

Sally pulls a funny orgasm face...

When Harry Met Sally is perhaps the best romantic-comedy ever made. It is my belief that the best scene in the movie is when Harry and Sally discuss why women fake orgasm during sex. Harry claims that he’s never had a girl ‘fake it’, because he thinks that he’ll know…Sally leaves him speechless by ‘faking it’ in the middle of a busy restaurant, making the loudest moans and groans possible. Classic.

3)      The Shining – “Heereee’s Johny!

"Hereeee's Johneeeee!"

"Hereeee's Johneeeee!"

The most iconic scene in a horror film ever, indeed perhaps the most quotable line from a Kubrick film next to Nicole Kidman’s final word in Eyes Wide Shut.

4)      The Texas Chainsaw Massacre – Dinner time!

Screenshot from one of my favourite horror films

Screenshot from one of my favourite horror films

That awkward moment when you wake up from being unconscious strapped to a chair in front of a family of cannibals…

5)      The Human Centipede – The credit sequence

The best part about Tom Six’s ‘masterpiece’ is when it ends. Notice the way in which the credits roll up in such a petulant manner…there’s clearly symbolism there…

6)      The Shawshank Redemption – The ending

I’m not ruining it.

7)      The Rocky Horror Picture Show – The Floor Show

The 'Floor Show' in The Rocky Horror Picture Show...

The 'Floor Show' in The Rocky Horror Picture Show...

The Rocky Horror Picture Show is perhaps the most entertaining, bizarre, illogical, random, camp, brilliant film ever made. Yet the ‘Floor Show’ towards the end provides the film with an oddly quite moving and tragic ending…

8)      Indiana Jones and the Raiders of the Lost Arc – The opening of the arc

A very good reason why you should never open mysterious, ancient ark's supposedly claiming to hold the 'wrath of God' in them...

A very good reason why you should never open mysterious, ancient ark's supposedly claiming to hold the 'wrath of God' in them...

Ever since I was a child, these movies have scared me. Most notably Indiana Jones and the Temple of Doom when the heart’s being taken out…

However, there’s nothing quite as memorable as the section where the arc is opened and the ‘wrath of God’ murders all of the Nazis and shreds there skin off until they’re just skeletons.

9) A Clockwork Orange – The opening scene

The bizarre opening shot in A Clockwork Orange

The bizarre opening shot in A Clockwork Orange

In my opinion it’s the most mesmirising opening to a movie…ever. We start off with a close-up of the raping-murdering sociapath: 15 year-old Alex DeLarge. We then pan back and back and back to reveal his surroundings. Simple. Bizarre. Surreal. Memorable. A great opening scene.

10) Boogie Nights – Closing scene

I've just stopped you from pervertedly grinning at Mark Wahlberg's prosthetic schlong...more tempted to watch the 90s classic?

I've just stopped you from pervertedly grinning at Mark Wahlberg's prosthetic schlong...more tempted to watch the 90s classic?

Boogie Nights is a 3-hour movie. Throughout the movie we are told that everyone has a talent, a skill, or in the case of Dirk Diggler: an asset. He’s a porn-star which would make a horse jealous. (The joy of cheesy sexual innuendos).

Either way, we find out that his schlong is 13 inches long…and at the end of the movie…we see it…in all it’s…glory(??)…

11)  Mulholland Drive – The sign…

There's something about this sign...

There's something about this sign...

There’s something oddly quite mystical about the sign of Mulholland Drive in David Lynch’s Mulholland Drive. Perhaps it is its grey nightmarish colour, or the shiny letters on it, or the music that accompanies the shot of it. Maybe it’s all of these.

This shot in the movie, to me is the movie’s most memorable shot, there’s something so spine-tingling about it. And I don’t know why. It’s a mystery that can’t be solved…almost like the film itself.

12)  2001: A Space Odyssey – The ‘stargate sequence’

This is what happens to your eyes when you go "Beyond the Infinite"...

This is what happens to your eyes when you go "Beyond the Infinite"...

A screenshot from the infamous 'stargate sequence'...

A screenshot from the infamous 'stargate sequence'...

The poster for Kubrick’s 2001 says “the ultimate trip”, and I can’t quite help but associate this and the ‘stargate sequence’ in the film, indeed, Kubrick takes us on the “ultimate trip” in this section. Colours, shapes, space, light, time, infinity, eternity swirl around in patterns and zoom past our eyes. It’s a ‘spectacle’ to say the least.

13)  Monty Python and the Holy Grail – The Knights who say “Ni!”

"We are the knights who say 'ni'!"

"We are the knights who say 'ni'!"

The most random joke in a  very random and very funny film.

14)  The Godfather – That awkward moment when you find a horse’s head in your bed

Awkward...

Awkward...

Perhaps the most iconic moment in cinema is when the Hollywood-hotshot finds the horse’s head in his bed as he wakes up.

15)  Fight Club – Let’s steal some soap

The irony of a film about consumerism selling merchandise...

The irony of a film about consumerism selling merchandise...

Perhaps one of the best bits from Fight Club is when Tyler and Jack go to steal some soap. Or to be more precise, fat to make soap…fat taken from people who’ve had liposuction that is.

Ahhh…I love the sharp humour in this film.

16)  Un Chien Andalou – Casually slicing an eye

Eye-slicing in surrealist classic 'Un Chien Andalou'...

Eye-slicing in surrealist classic 'Un Chien Andalou'...

Surrealist masterpiece which has unfortunately been brought down by one image: the slicing of an eyeball. Indeed, this image occurs in the first 5 minutes of the film, yet it’s downfall for it being associated with this just one image is perhaps also its success as well. After all, no masterpiece was never controversial.

17)  12 Angry Men – The whole film

Well I’ve listed lots of scenes…and I know I know this is cheating, but 12 Angry Men takes place in one whole scene, so I’m letting it in. It’s also a very good scene: well-directed, well-acted and a dazzlingly complex study of human nature and what happens when you put 12 blokes around the table and make them debate over whether a man should live or die.

18)  The Silence of the Lambs – The first encounter

The film builds up to this great encounter, even when Clarice is outside that infamous corridor she’s told that she can’t bring in any pens or metal objects. Indeed hopes do not fall, Anthony Hopkins gives a chilling performance which made him win an Oscar.

19)  Reservoir Dogs – Ear slicing

Ear-slicing in Quentin Tarantino's directorial debut 'Reservoir Dogs'

Ear-slicing in Quentin Tarantino's directorial debut 'Reservoir Dogs'

Quentin Tarantino is not just talented by managing to put the word ‘motherfucker’ at any point in one of his scripts, but by being able to direct violence exceptionally well. We see violence so often on the screen, and due to this, it hardly ever affects us. A most recent example would be The Hunger Games, where the violence/deaths have little or no effect. However, we see the opposite in Reservoir Dogs, it makes us react and wince in our chairs.

20)  Pulp Fiction – Overdosing

I would happily say this is the best sequence in Pulp Fiction. After Mia overdoses, Tarantino makes Travolta drive her straight to the dealer. Comedy is induced with the disturb in a dazzlingly original way. And we wince when the needle is plunged straight into the heart (have you seen how big the needle is?!). Either way, it could be argued that this is the best section in Pulp Fiction.

21)  Halloween – Opening shot

Classic 70s slasher film 'Halloween'

Classic 70s slasher film 'Halloween'

The opening shot of the classic slasher movie, Halloween, is arguably the best opening shot of a horror movie. Ever. We see young Michael Myers go into the house, grab a butchers knife, go up the stairs, put a mask on, and stab his sister…all from his own eyes. Impactful and disturbing, if it’s none of those two, it’s definitely memorable.

22)  Blue Velvet – Scissors…

Dennis Hopper's disturbing performance as the violent and sexually-perverted Frank Booth...

Dennis Hopper's disturbing performance as the violent and sexually-perverted Frank Booth...

Frank Booth is the hideous sexual pervert in David Lynch’s controversial 1986 classic Blue Velvet. Not only does he kidnap Dorothy’s husband, but he does more. He verbally abuses Dorothy, hits her, insults her, and sexually abuses her with a trusty pair of scissors. You may not like this film, but this scene is certainly unforgettable to say the least.

23)  Before Sunrise – CD Booth scene

Linklater’s Before Sunrise is all about its subtleties, and there’s nothing else as subtle as when we see our two ‘lovers’ enter the CD booth and look at each other and then look away…repeatedly…

24)  Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Riding the bomb

Major Kong casually riding a nuclear bomb in Dr Strangelove...

Major Kong casually riding a nuclear bomb in Dr Strangelove...

The mother of all political satires ends in the best way imaginable (and we know it’s coming)…Major Kong riding a bomb down towards earth…ahhhh…the joys of originality.

25)  Trainspotting – There’s a baby on the wall

Now that's one terrifying baby...

Now that's one terrifying baby...

Never have baby’s been so terrifying…

Renton, heroine-addict is locked in his room and force to ‘quit junk’, he has various hallucinations…and my God, you won’t want to baby-sit after watching this movie.

26)  The Man With the Golden Gun – Face off

Best moment in a Bond film…ever.

27)  Citizen Kane – The ending…

Just found this on the net. Glad somebody else agrees with me to! Either way, the ending's bloody iconic

Just found this on the net. Glad somebody else agrees with me to! Either way, the ending's bloody iconic

Critics claim it to be the best film ever made year in year out, I on the other hand think it’s mediocre and so overrated it’s vomit-inducing.

Click on the link to find out what rosebud is…if you want to that is…

http://www.clipart.dk.co.uk/DKImages/christmas/image_christmas004.jpg

28)  Psycho – Shower scene

^^ A thorough explanation on why you should never use showers in a horror film

^^ A thorough explanation on why you should never use showers in a horror film

The most damous scene in a horror/thriller ever, and perhaps the scene Hitchcock is most well-known for. I don’t think I need to describe what happens, the image above is so iconic that it literally speaks for itself.

29)  One Flew Over the Cuckoo’s Nest – Partayyyy

Wheelchairs…part-poppers…alcohol…laughter…and general fun! The party scene in One Flew Over the Cuckoo’s Nest isn’t just funny but a satirical bite at totalitarianism and why all humans deserve to be free, to have fun and not be opressed by the ruling masses.

30)  The Green Mile – Cooking time…

There are lots of ‘cooking scenes’ in this film, and surprise, surprise they all happen on an electric chair. Lovely!

Panic Room (2002)

4 STARS

General Information:

Information below is taken from the following link: http://www.imdb.com/title/tt0258000/

15  112 min  –  Thriller  –  3 May 2002 (UK)

Director

David Fincher

Writer

David Koepp

Stars

Jodie Foster; Kristen Stewart; Forest Whitaker

Plot:

Meg (Jodie Foster) and daughter Sarah Altman (Kristen Stewart) buy a new house, which has a mysterious panic room – the ‘Panic Room’ has only one function, and that’s to keep people out. Suddenly, late at night, intruders enter the house, and Meg and Sarah’s only place to hide is in the Panic Room itself…

Review

Jodie Foster and Kristen Stewart in David Fincher's brilliant chlaustrophobic thriller...

Jodie Foster and Kristen Stewart in David Fincher's brilliant chlaustrophobic thriller...

Panic Room is like a game of cat and mouse where the cat and the mouse are static constantly, and have to think about what moves they must make next to outdo each other. To be blunt, this film is about three criminals attempting to get into a small confined room where our protagonists are hiding in fear. Of course, this must be incredibly difficult to direct: creating an atmosphere of tense  claustrophobia without seeming static or dull, whilst all the time building up plot, momentum and driving the narrative further at a fire-inducingly fast pace. David Fincher pulls it off.

What struck me first about this film wasn’t the ingenuity of its plot concept, but it’s visual style. It’s very similar to Fight Club’s: the camera panning in to the architecture of the walls, and then suddenly zooming in and in and in to absolute minute detail, whilst all the time moving, so we get a sense of what the world our characters are in – this is used in Panic Room, there are lots of long (CGI?) tracking shots which go straight through numerous walls of the house, and then suddenly turn upside down to show us the ceiling, until we bend back and then  suddenly zoom into an electrical cable, and then follow where the electrical cable goes to, until…oh, you get the idea. Essentially, Fincher puts a microscope on the house to tell us exactly the layout of the house.

Aside from Fincher’s sharp meticulously perfected style is a film oozing with good character development – there’s a neat section where the intruders attempt to try and “scare” Meg and Sarah out of the panic room by pumping the room with toxic gas. We immediately see the relationship between each of the individual intruders themselves; this scene, and indeed, all of the scenes that involve the intruders arguing unfolds like a detailed psychological case-study. To further add to this case-study is the cut-and-forth feel to the narrative, we jump back and forth from inside and outside the panic room, seeing how Meg and Sarah are feeling and then seeing how the intruders are seeing. As a viewer we get a very objective stance to the piece, we watch the events slip past, and due to this, the movie feels very intriguing, yet never comes across as trying to be too clever.

Similar events occur inside the panic room itself. These scenes are the embodiment of psychological realism, the methods that Sarah and Meg use to attempt to escape or scare the intruders away (“tell them to fuck off”) are utterly plausible, and this is partially due to the merge of drama and comedy in Koepp’s script.

Over all, Fincher’s film feels dazzling, bold and intriguing, but not as good as Fight Club. But then again, not much else is.

Verdict

A film dazzling with wit, pace and style. It’s intriguing, tense and nice little thriller from a very talented director.

Fight Club (1999)

4.5 STARS

General Information:

The information from below is taken from the following link: http://www.imdb.com/title/tt0137523/

18  139 min  –  Drama | Mystery | Thriller   –  12 November 1999 (UK)

Director

David Fincher

Writer

Jim Uhls

Stars

Brad Pitt, Edward Norton and Helena Bonham Carter

Plot:

Jack’s (Norton) life is dull and depressing: he is an insomniac, goes to cancer self-help groups (he doesn’t have cancer) and works in insurance. Suddenly he befriends Tyler Durden, and his life takes a dramatic twist. They form an underground fight club, yet their ‘Fight Club’ develops and becomes more and more to Jack’s disliking until eventually his life – and indeed: the world – spirals out of control…

Review:

Fight Club can be described by all of the film-critic-bullshit-clichés ever written: it is brutal, funny, disturbing, sexy, entertaining, mind-bending, breath-taking, thought-provoking – and bloody hell it’s violent. Well what is this film about? What is it not about? It’s about machismo, violence, sex, consumerism and fascism; yet it is also about: instinct, work, primal desires, money, and of course: soap (soap to make BOMBS!….obviously). All of these ideas and concepts are all mixed up and thrown into this mind-bendingly visual and darkly comic film. Yet, oddly, it works.

Jack narrates the film, it is told from his perspective. The first section of the film is philosophical and is a commentary mainly about consumerism and how Jack is bored with life. Jack is a sucker to consumerism, rather than watching TV and eating chips at night, he sits in his toilet and reads the IKEA catalogue pondering which furniture defines him as a person. He also goes to testicular cancer classes, even though he doesn’t have cancer, and because it makes him feel superior. (Hey, I said the humour was dark).

Suddenly, his life takes a turn, as he meets a soap-salesman named ‘Tyler Durden’ (Pitt). Jake envies Tyler because he is his opposite – he has a good body compared to him, is better looking, more confident, (and by the amount of noise made in the bedroom) is apparently good at sex.

Next thing you know, Jack’s condo blows up.

Bye-bye IKEA furniture. (Yes, that’s the satirical bit about consumerism.)

Luckily Jack phones Tyler and asks him to stay with him, they then form an underground fight club for many reasons: to vent aggression, to pass time because they are bored with life, to ‘get back’ at society. However, Fight Club builds and builds and builds until it becomes more serious: ‘Project Mayhem’.

This film is perhaps comparable to A Clockwork Orange: it is violent, yet it is also funny in areas in which it shouldn’t be. It challenges me as a viewer, and it distorts how I would normally react to violence. As a society violence is frowned on, yet in Fight Club it sets them free. The people doing the punching and the people receiving the punch both feel better than they’d ever felt in their entire life. Should we agree with what Tyler has done to these people? Has he really set them free or has he given them a false concept of being ‘free’? I’ll let you decide on these questions for yourself…

Verdict:

Funny, satirical and downright violent, Fight Club is not for the fainthearted, and must be viewed more than once in fear that it may be taken the wrong way. If it’s not a satire about fascism or consumerism, it is entertainment at the very least: original, bright, daring and bold; don’t you dare miss this cinematic gem.