My 30 Greatest Movie Moments…

Movies can manipulate us in ways that we never thought possible. Perhaps The Shining disturbed you so much that every time you see a hallway, a naked woman in a bath or identical twins, you immediately put your hands over your mouth and sob.

Yet, it could be argued, that what we remember most from a movie, isn’t necessarily how we felt whilst watching it, but what actually happened – or to be more precise: what scene had the most impact on us.

Below, I have listed my 30 of the most memorable moments in cinema, they have been listed there because they are personal to me and because they are instantly recognisable.

1)      The Deer Hunter – The Russian Roulette Scenes

Russian Roulette in The Deer Hunter

Russian Roulette in The Deer Hunter

The Deer Hunter is a disturbingly powerful movie, where its effect on the audience effectively clings on to the few scenes where the characters play Russian Roulette either because they’re being forced to, or…for fun. There’s an old movie cliche about ‘being at the edge of your seat’, and its never been so true with this film, the feeling of not knowing what will happen when the trigger is pulled is like no other.

2)      When Harry Met Sally – Fake Orgasm in a restaurant

Sally pulls a funny orgasm face...

Sally pulls a funny orgasm face...

When Harry Met Sally is perhaps the best romantic-comedy ever made. It is my belief that the best scene in the movie is when Harry and Sally discuss why women fake orgasm during sex. Harry claims that he’s never had a girl ‘fake it’, because he thinks that he’ll know…Sally leaves him speechless by ‘faking it’ in the middle of a busy restaurant, making the loudest moans and groans possible. Classic.

3)      The Shining – “Heereee’s Johny!

"Hereeee's Johneeeee!"

"Hereeee's Johneeeee!"

The most iconic scene in a horror film ever, indeed perhaps the most quotable line from a Kubrick film next to Nicole Kidman’s final word in Eyes Wide Shut.

4)      The Texas Chainsaw Massacre – Dinner time!

Screenshot from one of my favourite horror films

Screenshot from one of my favourite horror films

That awkward moment when you wake up from being unconscious strapped to a chair in front of a family of cannibals…

5)      The Human Centipede – The credit sequence

The best part about Tom Six’s ‘masterpiece’ is when it ends. Notice the way in which the credits roll up in such a petulant manner…there’s clearly symbolism there…

6)      The Shawshank Redemption – The ending

I’m not ruining it.

7)      The Rocky Horror Picture Show – The Floor Show

The 'Floor Show' in The Rocky Horror Picture Show...

The 'Floor Show' in The Rocky Horror Picture Show...

The Rocky Horror Picture Show is perhaps the most entertaining, bizarre, illogical, random, camp, brilliant film ever made. Yet the ‘Floor Show’ towards the end provides the film with an oddly quite moving and tragic ending…

8)      Indiana Jones and the Raiders of the Lost Arc – The opening of the arc

A very good reason why you should never open mysterious, ancient ark's supposedly claiming to hold the 'wrath of God' in them...

A very good reason why you should never open mysterious, ancient ark's supposedly claiming to hold the 'wrath of God' in them...

Ever since I was a child, these movies have scared me. Most notably Indiana Jones and the Temple of Doom when the heart’s being taken out…

However, there’s nothing quite as memorable as the section where the arc is opened and the ‘wrath of God’ murders all of the Nazis and shreds there skin off until they’re just skeletons.

9) A Clockwork Orange – The opening scene

The bizarre opening shot in A Clockwork Orange

The bizarre opening shot in A Clockwork Orange

In my opinion it’s the most mesmirising opening to a movie…ever. We start off with a close-up of the raping-murdering sociapath: 15 year-old Alex DeLarge. We then pan back and back and back to reveal his surroundings. Simple. Bizarre. Surreal. Memorable. A great opening scene.

10) Boogie Nights – Closing scene

I've just stopped you from pervertedly grinning at Mark Wahlberg's prosthetic schlong...more tempted to watch the 90s classic?

I've just stopped you from pervertedly grinning at Mark Wahlberg's prosthetic schlong...more tempted to watch the 90s classic?

Boogie Nights is a 3-hour movie. Throughout the movie we are told that everyone has a talent, a skill, or in the case of Dirk Diggler: an asset. He’s a porn-star which would make a horse jealous. (The joy of cheesy sexual innuendos).

Either way, we find out that his schlong is 13 inches long…and at the end of the movie…we see it…in all it’s…glory(??)…

11)  Mulholland Drive – The sign…

There's something about this sign...

There's something about this sign...

There’s something oddly quite mystical about the sign of Mulholland Drive in David Lynch’s Mulholland Drive. Perhaps it is its grey nightmarish colour, or the shiny letters on it, or the music that accompanies the shot of it. Maybe it’s all of these.

This shot in the movie, to me is the movie’s most memorable shot, there’s something so spine-tingling about it. And I don’t know why. It’s a mystery that can’t be solved…almost like the film itself.

12)  2001: A Space Odyssey – The ‘stargate sequence’

This is what happens to your eyes when you go "Beyond the Infinite"...

This is what happens to your eyes when you go "Beyond the Infinite"...

A screenshot from the infamous 'stargate sequence'...

A screenshot from the infamous 'stargate sequence'...

The poster for Kubrick’s 2001 says “the ultimate trip”, and I can’t quite help but associate this and the ‘stargate sequence’ in the film, indeed, Kubrick takes us on the “ultimate trip” in this section. Colours, shapes, space, light, time, infinity, eternity swirl around in patterns and zoom past our eyes. It’s a ‘spectacle’ to say the least.

13)  Monty Python and the Holy Grail – The Knights who say “Ni!”

"We are the knights who say 'ni'!"

"We are the knights who say 'ni'!"

The most random joke in a  very random and very funny film.

14)  The Godfather – That awkward moment when you find a horse’s head in your bed

Awkward...

Awkward...

Perhaps the most iconic moment in cinema is when the Hollywood-hotshot finds the horse’s head in his bed as he wakes up.

15)  Fight Club – Let’s steal some soap

The irony of a film about consumerism selling merchandise...

The irony of a film about consumerism selling merchandise...

Perhaps one of the best bits from Fight Club is when Tyler and Jack go to steal some soap. Or to be more precise, fat to make soap…fat taken from people who’ve had liposuction that is.

Ahhh…I love the sharp humour in this film.

16)  Un Chien Andalou – Casually slicing an eye

Eye-slicing in surrealist classic 'Un Chien Andalou'...

Eye-slicing in surrealist classic 'Un Chien Andalou'...

Surrealist masterpiece which has unfortunately been brought down by one image: the slicing of an eyeball. Indeed, this image occurs in the first 5 minutes of the film, yet it’s downfall for it being associated with this just one image is perhaps also its success as well. After all, no masterpiece was never controversial.

17)  12 Angry Men – The whole film

Well I’ve listed lots of scenes…and I know I know this is cheating, but 12 Angry Men takes place in one whole scene, so I’m letting it in. It’s also a very good scene: well-directed, well-acted and a dazzlingly complex study of human nature and what happens when you put 12 blokes around the table and make them debate over whether a man should live or die.

18)  The Silence of the Lambs – The first encounter

The film builds up to this great encounter, even when Clarice is outside that infamous corridor she’s told that she can’t bring in any pens or metal objects. Indeed hopes do not fall, Anthony Hopkins gives a chilling performance which made him win an Oscar.

19)  Reservoir Dogs – Ear slicing

Ear-slicing in Quentin Tarantino's directorial debut 'Reservoir Dogs'

Ear-slicing in Quentin Tarantino's directorial debut 'Reservoir Dogs'

Quentin Tarantino is not just talented by managing to put the word ‘motherfucker’ at any point in one of his scripts, but by being able to direct violence exceptionally well. We see violence so often on the screen, and due to this, it hardly ever affects us. A most recent example would be The Hunger Games, where the violence/deaths have little or no effect. However, we see the opposite in Reservoir Dogs, it makes us react and wince in our chairs.

20)  Pulp Fiction – Overdosing

I would happily say this is the best sequence in Pulp Fiction. After Mia overdoses, Tarantino makes Travolta drive her straight to the dealer. Comedy is induced with the disturb in a dazzlingly original way. And we wince when the needle is plunged straight into the heart (have you seen how big the needle is?!). Either way, it could be argued that this is the best section in Pulp Fiction.

21)  Halloween – Opening shot

Classic 70s slasher film 'Halloween'

Classic 70s slasher film 'Halloween'

The opening shot of the classic slasher movie, Halloween, is arguably the best opening shot of a horror movie. Ever. We see young Michael Myers go into the house, grab a butchers knife, go up the stairs, put a mask on, and stab his sister…all from his own eyes. Impactful and disturbing, if it’s none of those two, it’s definitely memorable.

22)  Blue Velvet – Scissors…

Dennis Hopper's disturbing performance as the violent and sexually-perverted Frank Booth...

Dennis Hopper's disturbing performance as the violent and sexually-perverted Frank Booth...

Frank Booth is the hideous sexual pervert in David Lynch’s controversial 1986 classic Blue Velvet. Not only does he kidnap Dorothy’s husband, but he does more. He verbally abuses Dorothy, hits her, insults her, and sexually abuses her with a trusty pair of scissors. You may not like this film, but this scene is certainly unforgettable to say the least.

23)  Before Sunrise – CD Booth scene

Linklater’s Before Sunrise is all about its subtleties, and there’s nothing else as subtle as when we see our two ‘lovers’ enter the CD booth and look at each other and then look away…repeatedly…

24)  Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Riding the bomb

Major Kong casually riding a nuclear bomb in Dr Strangelove...

Major Kong casually riding a nuclear bomb in Dr Strangelove...

The mother of all political satires ends in the best way imaginable (and we know it’s coming)…Major Kong riding a bomb down towards earth…ahhhh…the joys of originality.

25)  Trainspotting – There’s a baby on the wall

Now that's one terrifying baby...

Now that's one terrifying baby...

Never have baby’s been so terrifying…

Renton, heroine-addict is locked in his room and force to ‘quit junk’, he has various hallucinations…and my God, you won’t want to baby-sit after watching this movie.

26)  The Man With the Golden Gun – Face off

Best moment in a Bond film…ever.

27)  Citizen Kane – The ending…

Just found this on the net. Glad somebody else agrees with me to! Either way, the ending's bloody iconic

Just found this on the net. Glad somebody else agrees with me to! Either way, the ending's bloody iconic

Critics claim it to be the best film ever made year in year out, I on the other hand think it’s mediocre and so overrated it’s vomit-inducing.

Click on the link to find out what rosebud is…if you want to that is…

http://www.clipart.dk.co.uk/DKImages/christmas/image_christmas004.jpg

28)  Psycho – Shower scene

^^ A thorough explanation on why you should never use showers in a horror film

^^ A thorough explanation on why you should never use showers in a horror film

The most damous scene in a horror/thriller ever, and perhaps the scene Hitchcock is most well-known for. I don’t think I need to describe what happens, the image above is so iconic that it literally speaks for itself.

29)  One Flew Over the Cuckoo’s Nest – Partayyyy

Wheelchairs…part-poppers…alcohol…laughter…and general fun! The party scene in One Flew Over the Cuckoo’s Nest isn’t just funny but a satirical bite at totalitarianism and why all humans deserve to be free, to have fun and not be opressed by the ruling masses.

30)  The Green Mile – Cooking time…

There are lots of ‘cooking scenes’ in this film, and surprise, surprise they all happen on an electric chair. Lovely!

Top 20 Movie Posters…

A movie poster should make a bold statement about what the movie’s about, but to go further: should instantly grab you. Here I have included posters that are either: weird, beautiful, eye-catching, ‘in-yer-face’, iconic, or just sell the movie for what it is.

In no particular order…

1) Attack of the 50ft Woman (1958)

Attack if the 50ft Woman

Attack if the 50ft Woman

50s B-Movies are often very interesting to look at, they often sell the pitch of their movies with something very eye-catching. This one particularly stands out to me.

2) 2001: A Space Odyssey (1968)

2001: A Space Odyssey (1968)

2001: A Space Odyssey (1968)

It’s damned beautiful to look at, and it’s completely different and original compared to most movie posters. Plus, the tag-line some up the movie perfectly: “the ultimate trip”.

3) The Texas Chainsaw Massacre (1974)

The Texas Chainsaw Massacre (1974)

The Texas Chainsaw Massacre (1974)

Grabs you like a leather glove or a serial killer who’s about to chop off your leg and eat you…in other words: it’s damned iconic and you can’t ignore it.

4) The Godfather (1972)

The Godfather (1972)

The Godfather (1972)

The epitomy of the ‘iconic movie poster’. You may not have seen the 1970 classic, but you’ve definitely seen the poster. (I hope).

5) Brokeback Mountain (2005)

Brokeback Mountain (2005)

Essentially a parody of the poster for The Titanic, therefore meaning that the poster itself gives off the message that it doesn’t and shouldn’t matter if you’re different.

Oh, and for just if you don’t know (God knows how not), Titanic‘s being re-released in 3D…yay for James Cameron.

6) The Human Centipede (2009)

The Human Centipede (2009)

The Human Centipede (2009)

The movie may be vomit-inducingly disgusting, but you can’t deny how errr…’eye-catching’ the poster is.

7) The Silence of the Lambs (1991)

The Silence of the Lambs

The Silence of the Lambs

As chillingly creepy as the film itself: the lack of humanity in the face, the red eyes, and (if you look closely) the skull on the moth’s face.

Simple + subtle = effective + iconic

8) Straw Dogs (1971)

Straw Dogs (1971)

Straw Dogs (1971)

The broken glasses almost mirrors the disturbingly brutal nature of the film. So much so, that does this poster transcend itself and become not just a poster, but a work of art?

9) Star Wars (1977)

Star Wars (1977)

Star Wars (1977)

Is it the most beautiful movie poster ever made?…

10) King Kong (1933)

King Kong (1933)

King Kong (1933)

Utterly iconic. It captures a moment from the movie in a striking detail.

11) Metropolis (1927)

Metropolis (1927)

Metropolis (1927)

Is it the most visually impressive poster ever? Does it count as a work of art rather than advertisement? Either way, it’s damned expensive. An original was sold for $690’000…rumour has it, that the buyer was Leonardo DiCaprio…

12) Blame (2011)

Blame (2011)

Blame (2011)

If anything…it’s eye-catching.

13) A Good Old Fashioned Orgy (2011)

A Good Old Fashioned Orgy (2011)

A Good Old Fashioned Orgy (2011)

Instantly sells the raunchy concept of the movie with some casual light-hearted tongue-in-cheek humour. Plus, the tag-lines brilliant: “A comedy about old friends in new positions.”

14) The Dark Knight (2008)

The Dark Knight (2008)

The Dark Knight (2008)

I don’t think I need to explain why this is a good movie poster.

15) Dr Strangelove: or How I Learned to Stop Worrying and Love the Bomb (1964)

Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

A personal favourite poster (and movie)…captures the tone of the piece entirely, it’s about war (planes flying overhead), and it’s an acidically mocking satire (the cartoonish feel of the piece). Brilliant movie. Brilliant poster.

16) Indiana Jones and the Raiders of the Lost Arc (1981)

Indiana Jones and the Raiders of the Lost Arc (1981)

Indiana Jones and the Raiders of the Lost Arc (1981)

We don’t even need to look at the title, and we already know that it’s Indiana Jones! The posters iconic, as is the font for the words “Indiana Jones”.

17) Pulp Fiction (1994)

Pulp Fiction (1994)

Pulp Fiction (1994)

The poster’s become so iconic and recognisable that it’s been used to mock Sarah Palin and John McCain…

18) Dracula vs. Frankenstein (1971)

Dracula vs Frankenstein (1971)

Dracula vs. Frankenstein (1971)

How very 70s…

19) The Happening (2008)

The Happening (2008)

The Happening (2008)

Simply stunning…

20) Perfume (2006)

Perfume (2006)

Perfume (2006)

Certainly impactful and pleasing to the eye, the poster for this film could be considered a work of art. Weird though…

GREAT MOVIES ESSAY: Pulp Fiction (1994)

***CONTAINS SPOILERS***

What I love about Quentin Tarantino more so than his style and his panache for good, quotable, punchy dialogue, is the fact that each time I watch one of his movies, they seem to just get better. I re-watched Pulp Fiction yesterday and realised that it isn’t just a good movie, it’s a great movie, this is mainly because it’s very layered. It’s layered in the sense that in each individual scene there’s so much to like, and the genius of it is, is the fact that none of the direction or the writing ever seems forced, but quite natural. Pulp Fiction is a crime film with an almost charmingly elegant flow to it.

Pulp Fiction: influential, funny, stylish and oozing with cool

Pulp Fiction: influential, funny, stylish and oozing with cool

It’s often been commented on how Pulp Fiction is (sorry for the cliché) ‘laugh-out-loud hilarious’. Indeed, there has been a lot said about how this is partially to do with the absurd/sly/darkly-comic nature of the film, and more importantly, it’s very quotable dialogue (“I’ma get medieval on ya ass”; “Oh man, I just shot Marvin in the face”). Yet, I think it’s more than that. There’s something about the way Tarantino has written Pulp Fiction that induces a laugh in a line, even though this line never even ‘asks’ for a laugh. Take the section in the beginning where Jules and Vincent are discussing all manner of irrelevant subjects on their way to the next job: drug laws in Amsterdam, names of burgers in Paris, television pilots. The back-and-forth feel to the dialogue and it’s fast-paced snappiness creates an element of humour in some of the dialogue, even though there are no puns. It’s like having banter with a best mate and occasionally smiling or laughing half-way through a sentence, you’re having such a good time that you’re giggling for no apparent reason. Of course, Pulp Fiction does provide puns: later on, Jules and Vincent discuss the monumental difference between eating our a girl’s “holiest of holies” or giving her a foot massage.

Indeed, what further adds to the joy of the film is the fact that Tarantino knows that the essentially aimless dialogue puts it above other films. So much so that he uses dialogue to manipulate the audience in very unexpected ways. Jules and Vincent have just arrived at the flat, they’re about to open the door, yet stop and suddenly move up the corridor to discuss the ethics of massaging the feet of a married woman. To add to this further is the fact that the camera simply pans around and then lingers in the same spot near the door. All of this builds up a sense of comedy, and more importantly: intrigue, about what’s behind the door.

Foot-massages

Camera pans around and lingers

Such directorial techniques are one of the many aspects which make the film effortlessly drip moments of greatness throughout. This is one of the many aspects of the film which is often overlooked, as the script is often the main thing that gleams into our eyes when we are first fused and engaged with Tarantino’s film. This directorial style is usual down to the camera work in the film; yet, even though each individual shot doesn’t strike us immediately like an image from a Kubrick or a Lynch or a Nolan film – each shot still maintains some form of intensity. This intensity is created by the clear precision it is created in, Tarantino takes his time with each shot, he doesn’t edit them away like Michael Bay does, one single shot may last from thirty seconds to two minutes. The dance sequence between Mia and Vince is a good example of this, as the dance itself lasts for a seemingly long period of time, and each shot lingers on them, however, it never becomes boring, because…well…it’s a strange dance, yet it oozes cool and style.

Vince and Mia dancing

Vince and Mia dancing

VInce pulling some moves...

Vince pulling some moves...

Pulp Fiction has often been criticised for being very violent. Yet, it’s not as violent as everyone makes it out to be. To give a completely blunt and famous example, it works in the same way that Alfred Hitchcock’s Psycho works in: we never see the knife go in, or in the case of Pulp Fiction, we never see the samurai sword stabbed into the toe of a pervert. Tarantino is very good at directing violence. We see violence so much in the movies that it rarely affects us; fight scenes make us doze off to sleep or just want them to immediately end. Tarantino keeps us on our toes. He directs violence in such an energetic style that it actually does something: it shocks, surprises, evokes comedy, and occasionally makes us cringe.

An example of this, is when Mia is injected in the heart due to a drug-overdose, although perhaps not violence, it works by the same method as a knife going into Janet Leigh’s stomach does: we don’t see it. It’s all implied. There’s a chilling low-angle close-up of the needle which lasts for a few seconds and the counting from 1 to 3 seems to last forever, until we eventually see the needle go in and wince as doing so, there’s a build-up to the moment of injection before we here the bumff of the needle shred through the skin and sink in. “Trippy”, eh?

Howard Hawks once said that a great movie involves: “Three good scenes. No bad scenes.” Pulp Fiction goes a step further: all good scenes, not one bad scene at all.

Pulp Fiction...Tarantino's best film?...

Pulp Fiction...Tarantino's best film?...